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Vous avez sélectionné:
What I Feel
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
5 partitions trouvées
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1
Ommateum for woodwind quintet
Ommateum for woodwind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Contemporain
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Burton Goldstein
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Ommateum for woodwind quintet
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Burton Goldstein Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - SKU: A0.1035270 Composed by Burton Goldstein. Contemporary. 21 pages. Burton Goldstein Music #5001061. Published by...
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Woodwind Ensemble,Woodwind Quintet - SKU: A0.1035270 Composed by Burton Goldstein. Contemporary. 21 pages. Burton Goldstein Music #5001061. Published by Burton Goldstein Music (A0.1035270). Tempo Changes in This PieceIf you are familiar with metric modulation, you probably can skip this note.Elliot Carter started using metric modulations in the 1940s, so what I have done is nothing new.Once you get the hang of it, it should be easier to get to the new tempo than having to just know what a metronome marking is supposed to sound like. Also you can get the true feel of the tempo changes.The tempi in this piece are related to each other so that in a sense, the tempo never changes.For ex., in m.22, count 8th notes and switch to 6/8. The tempo does not change in the sense that a quarter still equals 120, even if you are counting 8ths (at 240 bpm)If you were going to stay in 6/8 for a while, you could start to count 1 (2 3) 4 (5 6) thus counting dotted 8ths. If the 'beat' you are counting is dotted 8ths, you are therefore counting dotted quarter notes at 80 bpm.In that case you could also say the tempo is 'the same' as quarter note = 120 because 8th notes are the same speed.I confess m 64 is not so easy. After counting two bars in 3/8, count the next bar in 16th notes. While this is uncomfortably fast, it will make it possible to go into the 7/16 section at the perfect tempo. After counting to 7 a few bars, you may find it possible and convenient to count 4 + 3, emphasizing 1 (2 3 4 ) 5 (6 7).When you get to the next metric modulation, you can just emphasize the 1 and divide the bar into 7 equal parts.m 79 is different from the previous meter changes because the previous bar of 7/16 equals the duration of the new bar. So if you can count the 7/16 bars, after a while, in 1, you can count the new bars in 1 for a while. Then count it as indicated. So if the piece is too fast to play as is, just pick a different starting tempo. All the tempi in the piece should therefore automatically scale down. If there's any changes in notation I can make which will help you perform the piece, please let me know!
$14.99 ≈
13.80€
PACHELBEL CHACONNE IN C MAJOR P. 38 FOR WOODWIND QUINTET
PACHELBEL CHACONNE IN C MAJOR P. 38 FOR WOODWIND QUINTET
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Pachelbel
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arranged by Pat Spence
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PACHELBEL CHACONNE IN C MAJOR
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Piper Publications
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.811768 Composed by Johann Pachelbel (1653 - 1706). Arranged by arranged by Pat Spenc...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.811768 Composed by Johann Pachelbel (1653 - 1706). Arranged by arranged by Pat Spence. Baroque,Concert,Graduation,Standards,Wedding. Score and parts. 48 pages. Piper Publications #6092455. Published by Piper Publications (A0.811768). The Chaconne was composed for organ but not published during Johann Pachelbel’s lifetime. First Publication was in 1901 by Breitkopf und Härtel. The four bar/measure theme is repeated as are all 25 variations. In almost every instance the repeat would have been more elaborate or played in a different register on the organ.In arranging the Chaconne for wind players I have used the different characteristics of the wind instruments in varying combinations and changes of register to create what I hope is an enjoyable and entertaining concert piece for players of advanced intermediate standard. The three part writing has been expanded to the five instruments of the standard woodwind quintet to give a wider scope for variation of scoring which also enables the players some breathing space.The dynamic markings are editorial so do feel free to use your own.
$20.00 ≈
18.41€
Largo (from "Symphony No. 9") ("From the New World") (Db) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Cla
Largo (from "Symphony No. 9") ("From the New World") (Db) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Cla
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.813842 Composed by Antonin Dvorak. Arranged by Regis Bookshar. C...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.813842 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533959. Published by Regis Bookshar (A0.813842). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Woodwind Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, he has made quite a few other arrangements of this.
$15.00 ≈
13.80€
Canon (Pachelbel) (Bb) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Clar, 1 Hrn, 1 Bassoon)
Canon (Pachelbel) (Bb) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Clar, 1 Hrn, 1 Bassoon)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Pachelbel
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Regis Bookshar
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Canon
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.813433 Composed by Johann Pachelbel. Arranged by Regis Bookshar....
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.813433 Composed by Johann Pachelbel. Arranged by Regis Bookshar. Baroque,Multicultural,Standards,Wedding,World. 27 pages. Regis Bookshar #6259513. Published by Regis Bookshar (A0.813433). Canon (Pachelbel) (Bb) (Woodwind Quintet) - Advanced/Intermediate - . This selection, Johann Pachelbel's celebrated Canon, is perhaps the most famous canon ever written and has been one of my favorite compositions to arrange. A canon is a polyphonic device in which several voices play the same music, entering in sequence. Pachelbel's Canon, was originally written in the key of D Major and was scored for three violins arranged in canon, accompanied by a basso continuo which repeats the same harmonic progression throughout the entire piece. The common musical term for this is ostinato or ground bass. Regis Bookshar has now arranged this music for a Woodwind Quintet consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon. The Flute, Oboe and Clarinet play the melody in canon while the ostinato accompaniment is played by the French Horn and the Bassoon. This arrangement is suitable for high school and college students but could also be performed by professional performers. It is perfect for concerts and church services, especially for Weddings, but could be performed for any occasion. Included are a score and a complete set of parts (27 pages). This version is written in the key of Bb Major, to make it a little easier for some younger performers, but another version is also available in the key of D Major if you would prefer. Other versions of Pachelbel's Canon have also been arranged by Regis Bookshar and are available for a wide variety of instrumental Quintets and Octets, in both the keys of D Major and Bb Major. I think that String players would probably prefer to play the versions in the key of D Major while the Brass and Woodwind musicians might prefer to play the Bb Major versions. I hope you take the time to compare the different versions to find the right version for you. To help you decide which version, or versions, you may want to choose, I have included several musical samples for you to listen to and to hear what these arrangements may sound like and so that you may compare the various arrangements. Also, just to let you know, the Octets written in the key of Bb Major have full-length recordings while the Octets in D Major and all Quintets have only the first 25 measures, or so, available to hear. Please feel free to search for other arrangements by Regis Bookshar which are also available. There are quite a few other arrangements in a variety of styles and I'm certain you will find something else which might interest you as well. Please keep checking because I plan to continue to add new arrangements as often as I can. I'm certain that this exciting arrangement of Pachelbel's Canon will be a challenge to some performers but will continue to entertain both performers and audiences alike for years to come.
$20.00 ≈
18.41€
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